Bellot Ensemble join the Britten Pears Young Artist Programme this season as part of Chamber Music in Residence, bringing with them a fresh, energetic perspective on 17th century performance practice. Known for their vibrant stage presence and deep curiosity for early music, the ensemble combines stylistic virtuosity with a spirit of exploration that makes their work so captivating. 

Founded on period instruments, Bellot Ensemble are recognised for their style specific improvisation, weaving spontaneous creativity through meticulously researched historical practice. Their approach to repertoire of the 1600s includes the use of written divisions, and ornamentation informed by primary sources and reading of early texts, bringing history to life. 

The ensemble's artistic identity is shaped by meaningful collaboration. They frequently work with vocal consorts, choirs and opera societies, building bridges between instrumental and vocal traditions. This versatility has established Bellot Ensemble as an exciting force in early music.

During their residency, Bellot Ensemble worked closely with conductor, harpsichordist and pianist Steven Devine, whose expertise in Baroque and Classical repertoire brought exceptional depth to their coaching. Devine's experience with ensembles such as the Orchestra of the Age of Enlightenment, English Haydn Festival, New Chamber Opera, and leading baroque orchestras across Europe and North America, provided the young artists with an inspiring blend of stylistic fluency and creative freedom. Their sessions focused on ensemble communication, rhetorical phrasing, ornamentation and the expressive possibilities of early chamber repertoire. 

Bellot Ensemble on their CMiR Residency 

Bellot Ensemble performing in The Red House Library